Domestic Disturbances: Re-Imagining Narratives of Gender, by Irene Mata

By Irene Mata

The factor of immigration is without doubt one of the such a lot hotly debated subject matters within the nationwide enviornment, with every person from right-wing pundits like Sarah Palin to substitute rockers like Zack de los angeles Rocha supplying their opinion. the conventional immigrant narrative that received acceptance within the 19th and 20th centuries is still used this present day in describing the method of the "Americanization" of immigrants. but instead of appearing as a correct illustration of immigrant reports, this universal narrative of the "American Dream" makes an attempt to ideologically include these studies inside a narrative line that promotes the belief of accomplishing good fortune via exertions and perseverance.

In Domestic Disturbances, Irene Mata dispels the parable of the "shining urban at the hill" and divulges the principal fact of hidden exploitation that underlies the nice majority of Chicana/Latina immigrant tales. prompted by means of the works of Latina cultural manufacturers and the becoming interdisciplinary box of scholarship on gender, immigration, and exertions, Domestic Disturbances indicates a brand new framework for taking a look at those immigrant and migrant tales, no longer as a continuation of a literary culture, yet as a substitute as a particular Latina family tree of immigrant narratives that extra heavily interact with the modern stipulations of immigration. via exam of a number of genres together with movie, theatre, and artwork, in addition to present civil rights routine similar to the mobilization round the DREAM Act, Mata illustrates the superiority of the immigrant narrative in pop culture and the oppositional chances of substitute stories.

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Additional info for Domestic Disturbances: Re-Imagining Narratives of Gender, Labor, and Immigration

Example text

Now people emigrate because they have no choice—they are pushed out. Many have been the victims of new enclosures created by the global restructuring of resources and industries. Some leave their homes as a result of natural disasters, while others are forced to flee the violence of wars and armed conflicts. The United States’ reliance on cheap labor provides immigrants with the possibilities of work and economic survival. However, while many hope for better lives here, there is no longer a universal expectation of immigrating and achieving the American Dream.

The discomfort created by narratives of disruption, which include accounts of unpleasant realities of hardship and injustice, preclude their inclusion within traditional representations of immigration. A Narrative Tradition [By using] earlier texts as benchmarks, we will increasingly be able to note not only the ruptures in the discourse but also the links and differences between what was produced in the late nineteenth century and what has been produced in the twentieth century. » Rosaura Sánchez, “Ideological Discourses in Arturo Islas’s The Rain God” (114)4 The practice of situating narratives of immigration within the discourse of the United States as the “promised land” is prevalent in a larger literary tradition that creates and promotes chronicles perpetuating this ideology.

While Carla’s narrative of immigration is not fiction, her story and those of her fellow presenters are informed by fictive narratives and include some of the same elements that have made the genre of American immigrant literature so popular. The ideology of the United States as the “land of opportunity” and the “promised land,” important aspects of older immigrant narratives, continues to exist. The discourse of upward mobility through hard work and perseverance, a longtime staple of immigrant narratives, remains a pervasive part of our national ideologies.

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